Narrative technique in The Good Soldier

Stela Beatris Tôrres Arnold

Resumo


In the dedicatory letter to Stella (Bowen) Ford, Ford Madox Ford wrote that, at a certain point in his life, he decided to put in a novel all he knew about writing to produce the Auk's egg of a career ordaíned to end at the age of forty. He was mistaken as far as his literary career was concerned, for many more books would be written in times to come. However, in the critics' appraisal The Good Soldier remains his swam song, his Auk's egg. In this work we can see the results of Ford's endless studies of the form of the novel, done alone or with Conrad during the years of their partnership, and it is generally agreed that, through its unity of form and substance, technique and theme, Ford reveals himself at his best.


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Referências


BOWEN, Stella. Drawn from life. London: Collins, 1941.

FORD, Madox Ford. The Good Soldier. New York: Vintage Books, 1955.

GOSE, Elliot B. The Strange Irregular Rhythm: An analysis of The Good Soldier. Publications of the Modern Language Association, JSTOR, v. 72, n. 3, p. 494-509, june 1957.

HOFFMAN, Charles G. Ford Madox Ford. New York: Twayne Publishers, 1958.

HUNT, Violet. I Have this to Say. New York: Boni & Liver-right, 1926.

MACSHANE, Frank. The Life and works of Ford Madox Ford. New York: Horizon Press, 1965.

OHMANN, Carol. Ford Madox Fond: From Aprentice to Craftsman. Middletown: Wesleyan University Press, 1964.

WILEY, Paul L. Novelist of Three Worlds: Ford Madox Ford. Syracuse: Syracuse University Press, 1962.




DOI: http://dx.doi.org/10.17851/0101-837X.2.1.42-50

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Estudos Germânicos
ISSN 0101-837X (impressa)

Licença Creative Commons
Esta obra está licenciada com uma Licença Creative Commons Atribuição 4.0 Internacional.